Hahnemuhle Platinum Rag – First Impressions


First, I would like to thank Carol Boss from Hahnemuhle, for generously sending me a few sheets of this soon-to-be-released new paper to test.

For the last ten years or so, Arches Platine has been my standard paper for platinum/palladium prints. I also use Bergger COT320 as a slightly warmer (paper base color) alternative. Continue reading “Hahnemuhle Platinum Rag – First Impressions”

Secrets of the Black Art

There’s been some interesting discussion about salt printing lately, both on the Facebook Alternative Photographic Process group and on the venerable old alt-photo-process email list. I am by no means an expert on the subject, but I did have the pleasure in the late 90s of assisting Michael Gray of the Fox Talbot Museum at a workshop he gave at the Center for Creative Photography (UA Tucson) where I was employed at the time. The discussion on FB primarily concerned toning, while the email group discussion was about sizing (or not) of paper. I made some contributions to the discussions that I have recapped here for easy reference in the future. Continue reading “Secrets of the Black Art”